OCh is the author of novels, theoretical texts, treatises, short stories and poetry. He publishes them online in full or in excerpts. Here are several substantial examples:
1. Sztuka po AI. Sztuka, technologia, przemoc. Rozprawa o etyce twórczości w czasach sztucznej inteligencji
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https://zenodo.org/records/20788162?preview_file=Sztuka_po_AI.pdf
2. Fenomenologia na straży tego co ludzkie. A (face)eBook in a single post.
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3. “Au(c)tor” is a philosophical road novel set in the fascinating land of Opus, visited by an alien civilisation in the form of “artificial beings”. These beings offer help and development while taking skills and a passion for life from unsuspecting people and extracting sensitive information about them. The protagonist, Auctor, leaves his home to meet the authorities of the land and prepare for a final confrontation with the “monster from the mountains”, the enigmatic leader of the aliens. During his journey through Opus, Auctor undergoes a profound process of individuation — the reintegration of his personality in the face of a new threat — discovering ever more serious consequences of the presence of the monster and its entourage. Will Auctor succeed in saving the land of Opus from annihilation? This compelling narrative brings existential themes together with an epic journey, offering a metaphorical view of contemporary times and their challenges. It is a work that prompts reflection on the condition of human civilisation in the face of technological change.
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4. The treatise “Sztuka po AI. Sztuka, technologia, przemoc”, the first version of the treatise of the same title, attempts to examine systematically the condition of creative practice in an era of widespread deployment of generative artificial intelligence models. Analysing AI’s impact on authorship, aesthetic decision-making, cultural infrastructure, interpersonal relationships and the environment, the author develops four creative strategies: post-generativity, anti-generativity, post-agentivity and anti-agentivity. Each is developed in the form of a manifesto. At their intersection, the concept of “art after AI” emerges as a speculative and critical, situated and ethical practice. The treatise combines philosophical reflection, analysis of cultural phenomena, examples of artistic actions and proposals for infrastructure. Its ending is open and invites readers to co-create a continuation, including beyond the written form.
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