Books, manifestos, writing
Complete publications: all ten compendium volumes, the methodological study, two editions of Art after AI and further reading.

Art after AI · book 2.0
The artist’s analysis of the conditions of creative work in the age of artificial intelligence: authorship, infrastructure, relationships and responsibility. The book develops post-generativity, anti-generativity, post-agentivity, anti-agentivity, and Art after AI as a strategy of balance. This is a separate edition; the earlier treatise remains available in the archive.

Art after AI · treatise open to public editing
The first version of the treatise, made available for public editing on 30 May 2025. It preserves the full text and the five manifestos in their wording at that time. It documents the development of the concepts and is not a copy of the later 2026 book.

Compendium of Psychoperformance · volume I
Volume I of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume II
Volume II of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume III
Volume III of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume IV
Volume IV of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume V
Volume V of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume VI
Volume VI of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume VII
Volume VII of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume VIII
Volume VIII of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume IX
Volume IX of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Compendium of Psychoperformance · volume X
Volume X of the author’s ten-part compendium, ‘Case study of a visual artist with an eye condition’. This part retains its own pagination, conceptual framework and source material. The complete file provides all chapters, notes and illustrations; reading the volume in relation to the whole series makes it possible to follow the development of the method and the case study.

Psychoperformance. Methodological study
The P.OM-1.0 study systematises the design of symbolic actions: inquiry, the situational plan, key objects, key actions, perfonemes, the field of presence, the threshold, closure and the decision ‘after’. The author develops the method through a case study of a visual artist with an eye condition. The complete publication is preserved, including the scope of application and the limits of the method as formulated by the author.
- Working draft
Psychoperformance handbook · working draft
The complete preserved working draft of the handbook, the ‘korekta-spisu’ file from the author’s materials. It covers the language of the method, designing situations, channels of action, ethics, documentation and the limits of responsibility. Making it available does not mean that editorial work is complete or that a final edition has been published.

Asymptote · workshop script
The author’s script for a Psychoperformance workshop, preserved as version 19. It connects the ‘Anatomy of Uncertainty’ application, symbolic body maps, a film and the participant’s gesture within a planned sequence of action. The file documents preparation for the workshop; it does not itself record the workshop’s actual enactment.
SpaceTime Performance — situational plans
Two complete versions of a score for an encounter: objects define a movable boundary for action, while successive interventions establish a relationship with what has already happened in the space.
Five manifestos · Art after AI 2026
- Manifesto of Post-Generative Art
- Manifesto of Anti-Generative Art
- Manifesto of Post-Agentive Art
- Manifesto of Anti-Agentive Art
- Manifesto of Art after AI